"Does it work as a stand-alone piece?" I asked about the carillon piece meant for the Yale School of Drama's winter production, a piece axed by the administration as the carillon couldn't sound during finals week. "Well, Miss Tiffany Ng," Dr. S said, turning intently to me. And so the idea of a carillon installation has taken seed.
I am--joyously--getting up to my ears in new music for carillon, both acoustic and electroacoustic. But what about the overwhelming physical presence of the carillon, the visual, the visceral aspect of the bells and the belfry? (Never mind that the UR's carillon is basically disembodied.) How many composers and artists have taken advantage of that? Jeffery Bossin has done cool projects in Berlin, but what of interest has happened in America?
Eastman had better figure out what's going on with that Hanson Commissioning Fund, because I have big plans for it. I envision an installation that isn't so site-specific that it can't be recreated in other cities, or even with a traveling carillon in a large art gallery.
Speaking of which, new organ music mission accomplished this week. Twofold.